Re: Shooting in RAW?
If you can nail every shot to within a 1/3rd stop, get the white balance spot on every time, shadow and highlight detail correct and just the right amount of contrast and colour saturation, then join Joe and use Jpegs exclusively. I have seen and admired his work many times, in magazines and on the net and you can't fault the quality, within the size that it's presented.
Unfortunately, I am human and sometimes I make mistakes, misread the lighting conditions, relied on the camera when I should have trusted my instincts, or just got carried away with shooting and ignored the technical side. In any of those circumstances, shooting in RAW gives me a second bite of the cherry to get things right. Many corrections can be done in photoshop, but in most cases, it's a destructive process. Whatever changes I make to a RAW file, it isn't destructive and I still have that original RAW file intact.
I used to shoot Jpeg and now I shoot RAW and I wouldn't go to the extra trouble unless I got tangibly better results. Being an ex pro, I know many working pro's who don't shoot RAW and there are specific reasons why every time. A portrait tog who does everything from Vogue shots to school photo's - she has her lighting set-ups and camera settings that nail the shots. A Forensics tog who must use Jpegs and no post capture alterations. Press togs who need the speed and quality doesn't matter (their words). All others I know are very much RAW advocates, for reasons previously described.
Lastly, if you have developed any RAW skills, you can coax that extra bit of quality out of a shot. My objective is to wow people with the shot and then impress them with the quality ........................... I'll let you know if it ever happens!
Colin
If you can nail every shot to within a 1/3rd stop, get the white balance spot on every time, shadow and highlight detail correct and just the right amount of contrast and colour saturation, then join Joe and use Jpegs exclusively. I have seen and admired his work many times, in magazines and on the net and you can't fault the quality, within the size that it's presented.
Unfortunately, I am human and sometimes I make mistakes, misread the lighting conditions, relied on the camera when I should have trusted my instincts, or just got carried away with shooting and ignored the technical side. In any of those circumstances, shooting in RAW gives me a second bite of the cherry to get things right. Many corrections can be done in photoshop, but in most cases, it's a destructive process. Whatever changes I make to a RAW file, it isn't destructive and I still have that original RAW file intact.
I used to shoot Jpeg and now I shoot RAW and I wouldn't go to the extra trouble unless I got tangibly better results. Being an ex pro, I know many working pro's who don't shoot RAW and there are specific reasons why every time. A portrait tog who does everything from Vogue shots to school photo's - she has her lighting set-ups and camera settings that nail the shots. A Forensics tog who must use Jpegs and no post capture alterations. Press togs who need the speed and quality doesn't matter (their words). All others I know are very much RAW advocates, for reasons previously described.
Lastly, if you have developed any RAW skills, you can coax that extra bit of quality out of a shot. My objective is to wow people with the shot and then impress them with the quality ........................... I'll let you know if it ever happens!
Colin
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