Having decided to venture a bit deeper into flash photography, than simply mounting the flash on the 'hot shoe', and bouncing it off the ceiling for basic family portraits. Albeit, I have had some very acceptable results, at least to my subjective assessment, I set off along the following route.
I sold my single EX420 Speedlite, and bought two new 430EX ll Speedlites (saving £80 with Canon's cash back deal ).
I then bought three Yongnuo YN-622c wireless (RF) flash triggers, so that I can operate both flash guns off camera, then added a couple of Stop-Fen diffusers.
So, there I am all set to venture into the world of off-camera flash, and hopefully a bit of creativity.
Having done a bit of reading, I followed the advice and set each flash, off to side of the subject, and at 45 degrees to it.
To keep things simple, I set both flashes to the same channel, and under E-TTL control.
A few test flashes (no subject) showed that the camera was 'talking' to the remote flash guns, and that the on camera flash exposure compensation was correctly relayed to the flash guns.
Subject (the wife) placed in position (in front of a plain wall) for a head and shoulders shot.
Firstly both flashes pointed at the subject from a 45 degree angle, and a Sto-Fen diffuser fitted to each flash.
Result = exposure looked good, but a very strong shadow on the background, either side of the subject. One from the left hand flash, and one from the right hand flash.
Next: both flashes angled at the ceiling, with diffusers still fitted.
Result = exposure looked good, but the same shadow problem, albeit to a lesser degree. Thus indicating that although the flash guns were angled to bounce off the ceiling, the diffusers were spraying out light from their sides.
Next: the same as the previous shot, but with the diffusers removed.
Result = exposure looked good, no shadows, and a very acceptable result.
Now unless I'm not following the law of physics here, there must be shadow cast off to the side of the subject.
If I took away the flashes, and say replaced them with a couple of studio lights, positioned at the same 45 degree angle to the subject, then there would still be a shadow cast either side of the subject.
Dave
I sold my single EX420 Speedlite, and bought two new 430EX ll Speedlites (saving £80 with Canon's cash back deal ).
I then bought three Yongnuo YN-622c wireless (RF) flash triggers, so that I can operate both flash guns off camera, then added a couple of Stop-Fen diffusers.
So, there I am all set to venture into the world of off-camera flash, and hopefully a bit of creativity.
Having done a bit of reading, I followed the advice and set each flash, off to side of the subject, and at 45 degrees to it.
To keep things simple, I set both flashes to the same channel, and under E-TTL control.
A few test flashes (no subject) showed that the camera was 'talking' to the remote flash guns, and that the on camera flash exposure compensation was correctly relayed to the flash guns.
Subject (the wife) placed in position (in front of a plain wall) for a head and shoulders shot.
Firstly both flashes pointed at the subject from a 45 degree angle, and a Sto-Fen diffuser fitted to each flash.
Result = exposure looked good, but a very strong shadow on the background, either side of the subject. One from the left hand flash, and one from the right hand flash.
Next: both flashes angled at the ceiling, with diffusers still fitted.
Result = exposure looked good, but the same shadow problem, albeit to a lesser degree. Thus indicating that although the flash guns were angled to bounce off the ceiling, the diffusers were spraying out light from their sides.
Next: the same as the previous shot, but with the diffusers removed.
Result = exposure looked good, no shadows, and a very acceptable result.
Now unless I'm not following the law of physics here, there must be shadow cast off to the side of the subject.
If I took away the flashes, and say replaced them with a couple of studio lights, positioned at the same 45 degree angle to the subject, then there would still be a shadow cast either side of the subject.
Dave
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